{"id":229,"date":"2010-03-21T21:47:23","date_gmt":"2010-03-21T20:47:23","guid":{"rendered":"http:\/\/www.chrisspeed.net\/?p=229"},"modified":"2010-03-21T21:47:23","modified_gmt":"2010-03-21T20:47:23","slug":"migratory-settings-book","status":"publish","type":"post","link":"https:\/\/chrisspeed.net\/?p=229","title":{"rendered":"Migratory Settings Book"},"content":{"rendered":"

\"x\"<\/a>Review by me for Leonardo Reviews<\/p>\n

interesting book – slow to get through, but worth it.<\/p>\n

Migratory Settings, Part of the Thamyris Intersecting: Place, Sex and Race Series<\/p>\n

Edited by Murat Aydemir and Alex Rotas<\/p>\n

Published by Rodopi, Amsterdam\/NewYork, 2008.<\/p>\n

276 pp., illus. Trade, $85.<\/p>\n

ISBN: 978-90-420-2425-0<\/p>\n

Reviewed by [Chris Speed. School of Architecture, Edinburgh College of Art, Lauriston Place, Edinburgh\/Scotland\/c.speed@eca.ac.uk]<\/p>\n

Migratory Settings introduces a theoretical perspective that observes how certain cultural\/political artefacts and processes can be found to \u2018slip\u2019 between geographical contexts to challenge any assumptions of the integrity of place. Through the series of texts the editors explore how this \u2018slippage\u2019 offers new insights into how places and artefacts are connected and reconstructed as transnational processes offer new uses and fresh interpretation. It\u2019s a complex and subtle idea that challenges assumptions about the security of place as the starting point for cultural analysis and production.<\/p>\n

The authors introduce the text by describing the contradictory nature of the books title that presents movement as well as fixture. The book uses this premise to set the scene for a series of essays that demonstrate the many instances in which transcultural artefacts, projects and texts offer both a fluidity of movement and yet rely upon a context to support their existence. However, whereas this fluidity in the past has offered terms such as migration as a way of describing how cultural process move away from a place, the texts highlight instead how place becomes re-written. A sort of inter-place-iality, if that makes sense.<\/p>\n

The book is split in to four sections: i. \u2018Heterochronotopical\u2019 Stagings, ii. African Translations and Transcontextualizations, iii. Gollwitz, Calais, Tahiti: \u2018Hospitable\u2019 Places, and iv. Reframing the Migratory.<\/p>\n

The first section \u2018Heterochronotopical\u2019 Stagings groups together three essays that explore circumstances in which cultural practices reconstitute place through the shifting of temporal processes and reminds of the time based quality to migration. A good example might be Bleeker who explores the love affairs and public marriage of Gil and Moti, two Israeli artists who live and work in Rotterdam. A highlight of this particular essay being the analysis of their work: \u2018Let\u2019s Fall in Love\u2019 in which Gil and Moti set about \u201cfalling in love with an Arab guy\u201d. The writer explores the implications of a strategy that is expressed through a temporal process that is normally led by the unconscious; that of falling in love. Like the oxymoronic title of the book, Gil and Moti\u2019s acts contradict the cultural grammars of love and marriage to consciously explore delicate political boundaries.<\/p>\n

Part two, as its title suggests: African Translations and Transcontextualizations, focuses upon cultural texts that traverse European and African \u2018space\u2019. A gap that one might think was wide is shrunk through a series of essays that demonstrate how specific texts and processes are re-written in ways that demand complex unpicking. Ultimately an impossible unpicking that leaves the reader perfectly aware of how entangled histories become and how individuals can use another culture\u2019s artefacts to support their aspirations for their own culture. Aroch\u2019s exploration of Julius Nyerere\u2019s translation of Shakespeare\u2019s Merchant of Venice into Swahili demonstrate these qualities extremely well. She begins with an analysis of the term \u2018clich\u00e9\u2019 from which she constructs a convincing argument for its relevance to the migratory as clich\u00e9 always involved a passage from source to impression. With this in mind, Aroch deconstructs Nyerere\u2019s version of The Merchant through careful association with his role as the first President of Tanzania. All three essays sustain a focus upon the theme of the chapter and retain sustain pressure on the readers faith in place being something that is anchored within a geographical setting.<\/p>\n

The third section \u2018Gollwitz, Calais, Tahiti: \u2018Hospitable\u2019 Places\u2019 demands us to consider the social tensions that are manifested as places become resituated through political and cultural transformation. Early in the book, the editors use the word \u2018thicken\u2019 to describe how places take on board \u2018variegated memories, imaginations, dreams, fantasies, nightmares, anticipations, and idealizations that experiences of migration, of both migrants and native inhabitants, bring into contact with each other\u2019. This particular section evokes Derrida by highlighting a series of circumstances that describe how a place can become both \u2018hospitable\u2019 and \u2018hostile\u2019. Dasgupta\u2019s reading of Marc Isaacs 2003 film \u2018Last Border\u2019 about the Sangatte refugee camp focuses upon the extraordinary situation experienced by a series of people caught between places, dreams and futures.<\/p>\n

The final section concludes the book by reflecting upon artworks that identify specific paradoxical qualities of \u2018migratory setting\u2019. Rotas\u2019 analysis of Phil Collins family portraits taken of refugees who have fled from Eastern to Western Europe is particularly affective as we understand the stresses placed upon families as their networks become stretched between Kosovo and London. Boletsi uses the garden and \u2018lawn\u2019 as a subject to demonstrate the shifting boundaries of personal, community and political space. The essay explores the differences between the American yard and the illusion of its endless potential, and Jamaica Kincaid\u2019s experiences of conflict and negotiation involved in gardening in Antigua.<\/p>\n

As a whole, the volume has the difficult task of sustaining a subtle idea across a range of texts that all have their own voices. As the core ideas presented by the editors are constructed through the reading of each text in series, the reader\u2019s interpretation accelerates and slows according to the quality of each essay. Of course the parameters of the research are complex and intentionally contradictory, and consequently the \u2018story\u2019 was always going to be hard to articulate. However, the insights are fascinating and the book offers much for those who identify with the shift in the role that place has in cultural and social investigation.<\/p>\n","protected":false},"excerpt":{"rendered":"

Review by me for Leonardo Reviews interesting book – slow to get through, but worth it. Migratory Settings, Part of the Thamyris Intersecting: Place, Sex and Race Series Edited by Murat Aydemir and Alex Rotas Published by Rodopi, Amsterdam\/NewYork, 2008. 276 pp., illus. Trade, $85. ISBN: 978-90-420-2425-0 Reviewed by [Chris Speed. School of Architecture, Edinburgh […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-229","post","type-post","status-publish","format-standard","hentry","category-stuff-we-like"],"_links":{"self":[{"href":"https:\/\/chrisspeed.net\/index.php?rest_route=\/wp\/v2\/posts\/229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chrisspeed.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chrisspeed.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chrisspeed.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/chrisspeed.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=229"}],"version-history":[{"count":0,"href":"https:\/\/chrisspeed.net\/index.php?rest_route=\/wp\/v2\/posts\/229\/revisions"}],"wp:attachment":[{"href":"https:\/\/chrisspeed.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chrisspeed.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chrisspeed.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}