{"id":3040,"date":"2026-06-21T10:28:06","date_gmt":"2026-06-21T10:28:06","guid":{"rendered":"https:\/\/chrisspeed.net\/?p=3040"},"modified":"2026-06-21T10:30:02","modified_gmt":"2026-06-21T10:30:02","slug":"drs-2026-summary-and-list-of-rmit-papers","status":"publish","type":"post","link":"https:\/\/chrisspeed.net\/?p=3040","title":{"rendered":"DRS 2026 summary and list of RMIT papers"},"content":{"rendered":"\n

I’ve been fortunate to be at DRS 2026 in Edinburgh this week, about to catch a train and then plane home back to Melbourne. \u201cGet back to work Speed\u201d.

I have to say I didn\u2019t really know what I was getting into in moving to Naarm, RMIT, School of Design. Who does when it\u2019s 10,500 miles away from your pals, network and research team?<\/p>\n\n\n\n

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But just wow. We turned up, with 18 contributions from papers to workshops and made very \u2018good trouble\u2019. Pedagogies rooted in Ubuntu and Sankofa. Data instruments that were redefined by being \u2018in the world\u2019. Urban LARPs rehearsing regenerative futures. A neurodivergent accessibility audit, recovery of the Vietnamese word \u2018\u0111\u1ed3ng\u2019 offered as a better frame for co-design than anything the Western canon has produced.

I didn’t expect to feel this way about a conference week. But watching people you work alongside stand up in front of the discipline and say something genuinely new, something provocative, does something to you.

Props to Nicola St John<\/a> and Georgina Nolan<\/a> for bursting the Edinburgh enlightenment bubble by acknowledging the stolen lands that remain as sources of critical minerals for Europe to sustain the dream of science.

Good work, everyone. Really good work.

Not sure if this link works, but maybe the list of things we did… (listed below anyway)
https:\/\/www.conftool.pro\/drs2026\/index.php?page=browseSessions&presentations=show&form_date=all&search=rmit<\/a>

Antonella Autuori<\/a> Korey Wetherell Yaw Ofosu-Asare, PhD<\/a>
Michael Dunbar<\/a> Rusaila Bazlamit<\/a> Troy Innocent<\/a> Carolyn Briggs<\/a> Ashleigh Dharma<\/a> Carlo Tolentino<\/a> Jung-Joo Lee<\/a> Georgina Nolan<\/a> Nicola St John<\/a> Javier de Urquijo Isoard Josh Riesel<\/a> Jorge E. Arreola Rosendo
Liam Fennessy<\/a> Laurene Vaughan<\/a> Sarah Teasley<\/a> Prof Simon Lockrey<\/a> Stephanie Ochona<\/a> Mitchell Vassie<\/a>
Lan Lam<\/a> Donna Cleveland<\/a> RMIT College of Design and Social Context<\/a> hashtag#DRS<\/a><\/p>\n\n\n\n

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<\/p>\n\n\n\n

Presentations including ‘rmit’<\/strong><\/p>\n\n\n\n

Understanding Sleep Challenges in Shared Dormitories: A Co-design Inquiry<\/strong><\/p>\n\n\n\n

Zheng Wang, Adrian Gradinar, Lisa Thomas<\/p>\n\n\n\n

Lancaster university, United Kingdom<\/p>\n\n\n\n

Shared dormitories are the most common living arrangement for Chinese university students and have a crucial impact on their sleep and well-being. Most studies on sleep among this group primarily focus on the physical environment and the individual person, giving far less attention to the interpersonal and social aspects of living in shared dormitories. To address this gap, this paper presents the findings of a co-design workshop with 23 participants which explored their experiences of shared sleeping spaces and involved them in prototyping interventions for improving sleep experience. Findings reveal interpersonal interference as a major factor behind sleep disruption. Even though students experience negative emotions, they tend to adopt passive coping behaviours, reflecting conflict avoidance linked to broader cultural tendencies in Chinese society. This study also highlights the crucial role of interpersonal dynamics in shared dormitories, concluding that future design interventions should prioritise improving communication and consensus among roommates.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.629<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Designing Environments for Wellbeing<\/a>
Time: 08\/June\/2026: 11:00am-12:30pm \u00b7 Location: 40 George Square, LG.09<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/george-square-40-lecture-theatres<\/p>\n\n\n\n

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Unmaking AI\u2019s classificatory ontologies: Situated annotation as design inquiry in human\u2013AI assemblages<\/strong><\/p>\n\n\n\n

Antonella Autuori1,2<\/sup><\/p>\n\n\n\n

1<\/sup>Institute of Design (IDe), University of Applied Sciences and Arts of Southern Switzerland (SUPSI), Mendrisio, Switzerland; 2<\/sup>School of Design, RMIT Melbourne, Australia<\/p>\n\n\n\n

This paper examines how design research can unmake AI’s classificatory ontologies through situated and embodied annotation practices. Drawing on feminist, queer, and critical data epistemologies, it reframes bias not as a technical flaw but as a generative condition that reveals how knowledge is produced and negotiated within human\u2013AI assemblages. An autotheoretical experiment grounds the inquiry. The researcher creates and annotates a dataset of self-representations using subjective, affective, and relational labels, training a small-scale model to probe classification as an interpretive encounter shaped by embodiment, ambiguity, and positionality. Building on the shift from debiasing toward reflexive data practices in design and HCI, the paper proposes situated annotation as a design inquiry for unsettling inherited AI ontologies and repositioning machine vision as an accountable, partial, and embodied way of knowing.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.1239<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Queer(ing) Method\/ologies by Design<\/a>
Time: 08\/June\/2026: 11:00am-12:30pm \u00b7 Location: Appleton Tower, LT5<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/appleton-lecture-theatre-5-edinburgh<\/p>\n\n\n\n

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Three-Eyed Seeing: A framework for regenerative ecological design<\/strong><\/p>\n\n\n\n

Korey Wetherell1,2<\/sup>, Chris Speed2<\/sup>, Laura Albareda1<\/sup><\/p>\n\n\n\n

1<\/sup>LUT Business School, LUT University, Lappeenranta, Finland; 2<\/sup>School of Design, RMIT University, Melbourne, Australia<\/p>\n\n\n\n

The design field is increasingly engaging with the challenge of regenerating Earth systems within planetary boundaries, yet the epistemic foundations of regenerative ecological design remain diffuse. This paper introduces Three-Eyed Seeing as a design framework that brings Western empirical methods, Indigenous relational knowledge, and futural imaginaries into accountable dialogue. The framework supports plural ways of knowing without collapsing them into a single worldview and positions designers as mediators across multiple ontological commitments. Drawing on an autoethnographic field encounter with pollinators at Ka\u02bbena Point in Hawai\u02bbi alongside ecological systems-oriented design research, the study explores how these distinct ways of knowing can be practiced together within regenerative design inquiry. The encounter illustrates how observation, accountability, and futural imagination interact in practice, reframing regeneration as a collaborative process shaped by human and more-than-human partners. Three-Eyed Seeing provides conceptual grounding and methodological orientation for designers seeking to practice ecological regeneration as co-constitutive worldmaking.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.1880<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: What is Regenerative Design Anyway? Foundations, Lexicons and Interdisciplinary Intersections<\/a>
Time: 08\/June\/2026: 11:00am-12:30pm \u00b7 Location: 40 George Square, LG.11<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/george-square-40-lecture-theatres<\/p>\n\n\n\n

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Reading Against the Grain: Ubuntu, Sankofa, and Rhythm as Pedagogical Infrastructures in First-Year Design Education<\/strong><\/p>\n\n\n\n

Yaw Ofosu-Asare<\/p>\n\n\n\n

RMIT University, Australia<\/p>\n\n\n\n

This scholarship of teaching and learning (SoTL) study examines how African philosophies can function as pedagogical infrastructures, not decorative add-ons, in first-year design education. Through a 12-week introductory studio with 25 students meeting twice weekly (2.5 hours per session), I embedded Ubuntu (relational being), Sankofa (retrieving wisdom from the past), and rhythm (cyclical temporality) into the course structure. Learning artefacts comprise studio materials, anonymised teaching feedback collected as part of routine class activities, and my own teaching observations reviewed thematically around space, time, and feedback relations. Observed teaching indicators suggested higher participation in critique (average peer comments per student rising from 3.1 to 7.8), earlier sharing of work-in-progress, and more iterative refinements when these philosophies structured studio practices. The study demonstrates how decolonial pedagogies can operate within existing institutional frameworks, transforming first-year studios into spaces of collective learning, cumulative memory, and rhythmic renewal rather than competitive individual achievement.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.303<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Design Philosophy: Amplifying the Unheard (Session 1)<\/a>
Time: 09\/June\/2026: 9:00am-10:30am \u00b7 Location: Appleton Tower, LT4<\/a>
accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/appleton-lecture-theatre-4-edinburgh<\/p>\n\n\n\n

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Speculative Design Through Synthetic Data: Exploring how synthetic data be used to represent missing \u2018more-than-human’ data<\/strong><\/p>\n\n\n\n

Michael Dunbar, Chris Speed<\/p>\n\n\n\n

RMIT University, Australia<\/p>\n\n\n\n

Smart city data infrastructures largely reinforce anthropocentric paradigms, neglecting the entangled relationships that shape more-than-human worlds. This paper explores synthetic data as a transformative tool to address these omissions, offering alternative ways to represent missing non-human perspectives. Through a research-through-design approach, we present Kin Bank: a speculative interface that uses synthetic data to generate poetic, transactional representations between human and non-human actors. Adopting the metaphor of a shared bank account, the system foregrounds ecological and financial interdependencies while challenging reductionist data practices. Findings from a user study show how synthetic data can surface unseen relationships, embrace ecological complexity, and provoke critical reflection. Rather than prediction, synthetic data is used as a speculative medium to produce \u201cproductive uncertainty\u201d and foster new ways of understanding more-than-human entanglements. We argue that speculative design powered by synthetic data offers a pathway toward more inclusive, relational, and imaginative representations of urban ecologies and regenerative futures.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.2825<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: More-than-human data practices 1<\/a>
Time: 09\/June\/2026: 9:00am-10:30am \u00b7 Location: McEwan Hall Auditorium<\/a><\/p>\n\n\n\n

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Everything is an Instrument: Making Data Instruments as Critical Pedagogy<\/strong><\/p>\n\n\n\n

Rusaila Bazlamit, Michael Dunbar, Chris Speed<\/p>\n\n\n\n

RMIT University, Australia<\/p>\n\n\n\n

This paper critically examines how contemporary data design logics reframe everyday objects and services as active instruments of measurement and knowledge production. Through a pedagogical experiment in [place name withheld] Square, we explore how student-designed data instruments capture ambiguous, affective, and more-than-human aspects of experience that conventional instrumentation obscures. Drawing on Barad\u2019s agential realism and Lupi\u2019s Data Humanism, our iterative approach reveals that artifacts co-constitute what becomes knowable, making visible the entanglement of bodies, materials, and environments in data production. As students encountered material resistance, breakdown, and multispecies interaction, they developed \u201cinstrumental consciousness,\u201d recognising artifact agency and their own complicity in datafication. We argue that enabling designers to make and deploy instruments transforms abstract critiques of data economies into tangible, ethical encounters, fundamentally shifting design responsibility. This work repositions making-as-research as a critical method for interrogating how instruments shape experience, participation, and exclusion in data-driven environments.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.891<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: More-than-human data practices 2<\/a>
Time: 09\/June\/2026: 11:00am-12:30pm \u00b7 Location: McEwan Hall Auditorium<\/a><\/p>\n\n\n\n

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Playing Future Places Together<\/strong><\/p>\n\n\n\n

Troy Innocent, Carolyn Briggs, Ashleigh Dharma, Carlo Tolentino<\/p>\n\n\n\n

RMIT University, Australia<\/p>\n\n\n\n

Cities are physical manifestations of how we live together in urgent need of redesign to adapt and respond to impacts of climate change. Place-based methods offer critical and imaginative ways to work with neighbourhoods as living labs for regenerative futures and planetary civics. Reworlding explores urban play as method in co-governance of the green transition of neighbourhoods. It works with posthuman methods to give nature a voice, supporting more-than-human approaches, and addressing climate, biodiversity, and pollution challenges. Play and democracy balance interests, power, and knowledge asymmetries among neighbourhood actors by engaging cultural actors and use local, indigenous, or marginalised knowledge in regenerative design. This paper maps urban LARP (Live Action Role-Play) as intersectional and interdisciplinary method for connecting neighbourhoods and communities to play futures together by experiencing, testing, imagining, and negotiating regenerative design in relation to place, working with Reworlding City North, a two-day urban LARP as a case study.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.1888<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Design and Sustainability: Co-creation, Participation and Relationality<\/a>
Time: 09\/June\/2026: 11:00am-12:30pm \u00b7 Location: 40 George Square, LG.11<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/george-square-40-lecture-theatres<\/p>\n\n\n\n

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Design for care-full inclusion: Foregrounding the voices of vulnerable communities through vignettes in co-design<\/strong><\/p>\n\n\n\n

Daniel Campos-Mu\u00f1iz1<\/sup>, Yiming Yao1<\/sup>, Tse Pei Ng1<\/sup>, Celeste Seah1<\/sup>, Givson Ong1<\/sup>, Janghee Cho1<\/sup>, Jung-Joo Lee2,1<\/sup><\/p>\n\n\n\n

1<\/sup>National University of Singapore, Singapore; 2<\/sup>RMIT University School of Design, Australia<\/p>\n\n\n\n

Foregrounding the voices of vulnerable communities in future-oriented co-design workshops is a growing concern in design. Yet, their participation in multi-stakeholder settings may be limited by factors such as power imbalances, cultural differences, low self-efficacy or limited availability. In this paper, we present a case where a care-oriented approach to vignette making and use was adopted to foreground the voices of migrant care workers (MCWs) in a multi-stakeholder co-design workshop. Through this approach, vignettes (1) fostered our critical reflection and affective understanding, (2) supported the articulation of MCWs\u2019 lived experiences, and (3) provided a medium to highlight the interconnectedness and complexity of MCWs\u2019 experiences with technology. We argue that a care-oriented approach to creating narrative tools can help foreground vulnerable communities\u2019 concerns, support participation in workshops, and foster more care-full inclusion.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.1851<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Co-designing with Care: Methods and Materiality<\/a>
Time: 09\/June\/2026: 2:00pm-3:30pm \u00b7 Location: Appleton Tower, LT2<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/appleton-lecture-theatre-2-edinburgh<\/p>\n\n\n\n

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Beyond binaries of reconciliation: Working across knowledge systems at the cultural interface<\/strong><\/p>\n\n\n\n

Georgina Nolan, Nicola St John<\/p>\n\n\n\n

RMIT University, Australia<\/p>\n\n\n\n

Designing and researching across multiple knowledge systems requires vigilant negotiation, reflexivity and care. These dynamics are heightened on the lands now called Australia, where settler-colonial researchers (such as the authors) engage with diverse Indigenous knowledge systems. We examine how our own ways of being and knowing come into relation with others, surfacing tensions that shape the role of pluriversal design within our situated practices. We critique reconciliation narratives that risk reaffirming colonial hierarchies by positioning reconciliation as a destination, or a reconciling between binaries of Indigenous and non-Indigenous knowledges. We argue, instead, for embracing generative tensions as openings for dialogue. Drawing on two case studies engaging Indigenous perspectives within dominant Anglophone frameworks, we reflect on thresholds to knowledge and how practices at the cultural interface can be supported by pluriversal approaches. We offer relational and accountable insights for designers embedded in the constancy of onto-epistemic plurality.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.1584<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Relationality as Reconciliation: Designing for Equiponderance<\/a>
Time: 09\/June\/2026: 4:00pm-5:30pm \u00b7 Location: 40 George Square, LG.09<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/george-square-40-lecture-theatres<\/p>\n\n\n\n

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Inclusive Co-Learning in Transnational Design Classrooms: Bridging Linguistic and Cultural Gaps between Chinese Students and British Curricula<\/strong><\/p>\n\n\n\n

Linli Zhang1<\/sup>, Jinze Hao4<\/sup>, Yaqi Wang2<\/sup>, Liang Xiao3<\/sup><\/p>\n\n\n\n

1<\/sup>Beijing Jiaotong University, CN; 2<\/sup>Lancaster University,UK; 3<\/sup>Tsinghua University,CN; 4<\/sup>RMIT University, AU<\/p>\n\n\n\n

This study explores inclusive co-learning strategies in transnational design education, focusing on Chinese students enrolled in a joint program jointly delivered by Beijing Jiaotong University and Lancaster University within China. These students complete their entire undergraduate studies domestically, without the opportunity to immerse themselves in an English-speaking or multicultural environment. As a result, they often rely on translation tools to overcome linguistic and cultural barriers when engaging with British pedagogy. Drawing on classroom observations, student interviews, and reflective teaching practices, the study proposes an Inclusive Co-Learning Framework that integrates linguistic scaffolding and cultural mediation to foster language development, cultural understanding, and creative producing. By analyzing the \u201clocalized international classroom\u201d model, the study expands the discourse on transnational education (TNE) and demonstrates how inclusive pedagogical approaches can bridge global curricula and local learning realities, cultivating intercultural awareness and design thinking skills among Chinese students.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.2148<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Rethinking Inclusive Design<\/a>
Time: 10\/June\/2026: 9:00am-10:30am \u00b7 Location: 50 George Square, G.04<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/george-square-50<\/p>\n\n\n\n

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Exploring Data Otherwise: Countermapping More-than-human Design Practices<\/strong><\/p>\n\n\n\n

Marco Andrea Finardi1<\/sup>, Stephanie Ochona2<\/sup>, Elisa Giaccardi1<\/sup>, Sara Lenzi3<\/sup>, Stanislav Roudavski4<\/sup>, Chris Speed2<\/sup>, Mart\u00edn Tironi5<\/sup>, Michelle Westerlaken6<\/sup><\/p>\n\n\n\n

1<\/sup>Politecnico di Milano, Italy; 2<\/sup>RMIT University, Australia; 3<\/sup>University of Deusto, Ikerbasque Basque Foundation for Science, Spain; 4<\/sup>The University of Melbourne, Australia; 5<\/sup>Pontificia Universidad Cat\u00f3lica de Chile; 6<\/sup>MIT, USA<\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

EXPLORATION: Exploring Data Otherwise: Countermapping More-Than-Human Design Practices<\/a>
Time: 10\/June\/2026: 11:00am-12:30pm \u00b7 Location: 50 George Square, G.01 (Room E5)<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/george-square-50<\/p>\n\n\n\n

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Unfashionable Knowledge: Patina, Repair, and the Philosophy of Endurance in Design<\/strong><\/p>\n\n\n\n

Mitchell Vassie<\/p>\n\n\n\n

RMIT University Vietnam, Vietnam<\/p>\n\n\n\n

What if the future of fashion lies not in novelty, but in endurance? This paper proposes patina, the visible traces of wear, repair, and time, as a philosophical lens for rethinking design\u2019s relationship to sustainability, identity, and value. Drawing on collaboration with Red Thai (Th\u00e1i \u0110\u1ecf) artisans in Vietnam, the research reimagines denim not as commodity, but as memory cloth: garments as temporal archives of land, ritual, and community. The work asks whether fashion can exist outside imperatives of novelty and speed, locating beauty instead in incompleteness, opacity, and repair. By framing patina as \u201cunfashionable knowledge,\u201d it positions endurance and imperfection not as failures but as alternative epistemic values. This paper contributes to debates on design ontology, epistemology, and axiology, inviting the DRS community to consider how time, wear, and repair might inspire alternative design futures.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.271<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Doing and Undoing Post Anthropocentric Design, session 2<\/a>
Time: 10\/June\/2026: 11:00am-12:30pm \u00b7 Location: McEwan Hall Auditorium<\/a><\/p>\n\n\n\n

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Exploring Temporalities for Transformative Futures<\/strong><\/p>\n\n\n\n

Dan Lockton1<\/sup>, Femke Coops2,1<\/sup>, Chris Speed3<\/sup>, Laurene Vaughan3,4<\/sup>, Kristina Lindstr\u00f6m5<\/sup>, Ann Light6,5<\/sup>, Laura Forlano7<\/sup>, Colin M. Gray8<\/sup>, Sarah Teasley3<\/sup><\/p>\n\n\n\n

1<\/sup>Norwich University of the Arts, United Kingdom; 2<\/sup>Eindhoven University of Technology, Netherlands; 3<\/sup>RMIT University, Australia; 4<\/sup>RMIT University, Spain; 5<\/sup>Malm\u00f6 University, Sweden; 6<\/sup>University of Sussex, United Kingdom; 7<\/sup>Northeastern University, United States; 8<\/sup>Indiana University Bloomington, United States<\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

CONVERSATION: Exploring Temporalities for Transformative Futures<\/a>
Time: 10\/June\/2026: 2:00pm-3:30pm \u00b7 Location: 40 George Square, LG.11<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/george-square-40-lecture-theatres<\/p>\n\n\n\n

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Reframing design activism through affirmative, relational and pluriversal practices<\/strong><\/p>\n\n\n\n

Rusaila Bazlamit<\/p>\n\n\n\n

RMIT University, Australia<\/p>\n\n\n\n

This paper challenges how contemporary design activism has been defined and practised. While Western frameworks have framed activism through countering narrative, raising awareness and social change, this paper proposes a move from a position of countering toward a position of affirming. By looking at the history and current practices of design activism and examining the deficit of the \u201cunheard\u201d paradigm, this paper highlights the limitations of oppositional logics that centre critique over creation. This paper then explores alternative understandings grounded in decolonial, Indigenous epistemologies, and the voices of the global majority. Through examples and case studies, the paper illustrates how creative activist practices can be expressions of lived experiences, tools for radical imaginations and spaces for collective healing and truth-telling. Through this, the paper reframes design activism through positions of affirmation, relationality, and the genuine articulation of pluriversal ways of being, imagining, and creating a better world for all.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.896<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Relational Frameworks and Practices<\/a>
Time: 10\/June\/2026: 2:00pm-3:30pm \u00b7 Location: 40 George Square, LG.09<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/george-square-40-lecture-theatres<\/p>\n\n\n\n

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Beyond the Gallery: Neurodivergent Digital Access in Australian Museums<\/strong><\/p>\n\n\n\n

Jorge E. Arreola Rosendo1,2<\/sup><\/p>\n\n\n\n

1<\/sup>RMIT University; 2<\/sup>National Museum of Australia<\/p>\n\n\n\n

Australian museums invest heavily in hybrid and immersive gallery technologies yet treat their websites, where many neurodiverse visitors seek essential planning information, as static brochures. As 15 to 20 percent of the global population is neurodivergent, this oversight affects a significant audience. This study presents the first Australian audit of neurodivergent accessibility across 43 museums, revealing major disconnects: 86% offer minimal digital experiences despite their accessibility potential, and 35% provide no neurodivergent resources. While many claim consultation, neurodivergent voices remain absent from digital design. Shared digital infrastructure across museum networks creates sector-wide intervention points, since improving centralised systems could enhance accessibility across multiple institutions. Building on theory that calls for co-design and recognition of digital as a heritage experience, this practice-led research establishes baseline data to move from advocacy to implementation. In partnership with a federal museum, future phases will test neurodivergent-led co-design to drive organisational change and meaningful accessibility.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.1963<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Futuring Infrastructures: From Objects to Relational Systems<\/a>
Time: 10\/June\/2026: 4:00pm-5:30pm \u00b7 Location: Appleton Tower, LT2<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/appleton-lecture-theatre-2-edinburgh<\/p>\n\n\n\n

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What Can’t Be Confessed: The Structural Absence of Value Accountability in Design Culture<\/strong><\/p>\n\n\n\n

Michael Dunbar, Liam Fennessy, Chris Speed<\/p>\n\n\n\n

RMIT University, Australia<\/p>\n\n\n\n

Design culture has proliferated aspirational value frameworks, from manifestos championing social justice to ethics toolkits, yet lacks meaningful accountability infrastructure when values are violated or conflict. This paper examines a transgressive design research intervention: a mobile confessional booth at a city Design Week in 2025 that invited designers to anonymously confess professional compromises and ethical failures. The 125 confessions revealed patterns of deflection (blaming systems over individual agency), superficiality (focusing on technical mistakes rather than methodological rigour leading to ethical violations), and conspicuous absence of admissions regarding exploitation, greenwashing, or designing harm. Unlike medicine, law, or journalism, design has implemented no meaningful ethical infrastructure, defaulting instead to personal intra-structuring of consequences for harmful or negligent practice. This structural gap means values remain aspirational rhetoric or private guilt, unable to be metabolised collectively. The paper argues value accountability requires bottom-up infrastructure to surface, negotiate, and reckon with complicity in design practice.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.944<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Design as Care: Values and Accountability in Practice<\/a>
Time: 10\/June\/2026: 4:00pm-5:30pm \u00b7 Location: Appleton Tower, LT1<\/a><\/p>\n\n\n\n

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Making-with Biomaterials: Attuning to More-than-Human Temporalities in Growth and Decay Practices<\/strong><\/p>\n\n\n\n

Javier de Urquijo Isoard, Joshua Riesel<\/p>\n\n\n\n

RMIT, Australia School of Design<\/p>\n\n\n\n

This paper explores how design practices involving biomaterials can promote attuning within more-than-human temporalities. Drawing on two comparative case studies working with decomposing organisms to make and unmake materials, it examines how growth and decay unfold across different ecological timescales. Through concepts of noticing, pace, and rhythm, the studies explore how designers negotiate when to pause, accelerate, or distribute agency within multispecies collaborations. Rather than treating biomaterials as substitutes for synthetics, the paper positions them as temporal components of ecosystems shaped by humidity, temperature, and microbial diversity. Attuning emerges as a practice of more-than-human coordination and care. The findings contribute to temporal design discourse by testing theoretical promises against the pressures of practice, revealing tensions that scholarly discussion alone cannot anticipate. The paper proposes rhythm and pace as practical navigational tools through which designers can communicate ecological temporalities to clients and position themselves as facilitators of more-than-human processes.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.1628<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Temporalities of More-than-Human Design<\/a>
Time: 11\/June\/2026: 9:00am-10:30am \u00b7 Location: Appleton Tower, LT4<\/a>
accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/appleton-lecture-theatre-4-edinburgh<\/p>\n\n\n\n

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Three lenses, one wicked problem: Navigating pluralism to address consumer confusion in Australia<\/strong><\/p>\n\n\n\n

Brian Rodrigo Llagas1,3<\/sup>, Linda Brennan1,3<\/sup>, Simon Lockrey2,3<\/sup><\/p>\n\n\n\n

1<\/sup>School of Media and Communication, RMIT University, Building 9, Level 4, 124 Latrobe Street, Melbourne, Victoria, 3001 Australia; 2<\/sup>School of Design, RMIT University, Building 9, Level 5, 124 Latrobe Street, Melbourne, Victoria, 3001 Australia; 3<\/sup>End Food Waste Cooperative Research Centre, Wine Innovation Central Building, Level 1, Waite Campus, Urrbrae, South Australia, 5064 Australia<\/p>\n\n\n\n

Food waste presents a significant global environmental and economic challenge. Australian households are responsible for 40% of discarded food, with unclear date labelling and storage advice creating consumer confusion, contributing to the problem. This research employed systems thinking and pluralism to address consumer confusion. A multi-level analytical framework integrating visual grammar, symbolic interactionism, and activity theory examined semiotic dimensions, interactions, and system behaviours within the food packaging system. Micro-level prototyping generated design concepts for date labels and storage advice. Meso-level collective intelligence-participatory design techniques evaluated the designs and brainstormed solutions. Scenario planning at the macro level used morphological analysis to generate insights and develop future scenarios. Findings reveal misaligned activity systems among consumers (assess), industry (communicate), and policymakers (regulate), highlighting the need for system-wide collaborative design rather than policy alone. This pluralist approach offers a replicable framework for tackling wicked design problems beyond food waste.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.1156<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Methods in the Wild: Tools and Frameworks for Navigating Complexity<\/a>
Time: 11\/June\/2026: 9:00am-10:30am \u00b7 Location: Appleton Tower, LT5<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/appleton-lecture-theatre-5-edinburgh<\/p>\n\n\n\n

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\u0110\u1ed3ng-design: Designing togetherness as a systemic approach to Vietnam\u2019s textile and apparel transformation<\/strong><\/p>\n\n\n\n

Lan Lam, Donna Cleveland<\/p>\n\n\n\n

RMIT International University<\/p>\n\n\n\n

Vietnam\u2019s textile and apparel industry, one of the world\u2019s largest garment exporters, is under growing pressure to shift from labour-based to design-led and sustainable business models. However, applying Western co-design frameworks within the hierarchical and production-driven context of large enterprises reveals significant cultural and structural constraints. Drawing on in-depth interviews and reflexive journaling, this paper reports findings from two phases of an ongoing project and examine how design participation is understood and enacted across Vietnam\u2019s fashion eco-system, contrasting the relational practices of micro and small enterprises with the fragmented processes of large manufacturers. It introduces \u0111\u1ed3ng-design, a culturally situated approach grounded in the Vietnamese value of togetherness, as a systemic way of designing collaboration across scales. By articulating \u0111\u1ed3ng-design as both a conceptual and practical framework, the study contributes to pluralistic understandings of systemic design and highlights pathways for building design capacity and collaborative agency.<\/p>\n\n\n\n

View Paper: <\/em>https:\/\/doi.org\/10.21606\/drs.2026.1826<\/a><\/p>\n\n\n\n

Session Details:<\/p>\n\n\n\n

PAPERS: Rooted and Reaching: Situated Practice, Pedagogies, and Futures<\/a>
Time: 11\/June\/2026: 2:00pm-3:30pm \u00b7 Location: Appleton Tower, LT5<\/a>
Accessibility: https:\/\/www.accessable.co.uk\/the-university-of-edinburgh\/central-area\/access-guides\/appleton-lecture-theatre-5-edinburgh<\/p>\n\n\n\n

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I’ve been fortunate to be at DRS 2026 in Edinburgh this week, about to catch a train and then plane home back to Melbourne. \u201cGet back to work Speed\u201d. I have to say I didn\u2019t really know what I was getting into in moving to Naarm, RMIT, School of Design. Who does when it\u2019s 10,500 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-3040","post","type-post","status-publish","format-standard","hentry","category-articles"],"_links":{"self":[{"href":"https:\/\/chrisspeed.net\/index.php?rest_route=\/wp\/v2\/posts\/3040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chrisspeed.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chrisspeed.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chrisspeed.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/chrisspeed.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3040"}],"version-history":[{"count":3,"href":"https:\/\/chrisspeed.net\/index.php?rest_route=\/wp\/v2\/posts\/3040\/revisions"}],"predecessor-version":[{"id":3052,"href":"https:\/\/chrisspeed.net\/index.php?rest_route=\/wp\/v2\/posts\/3040\/revisions\/3052"}],"wp:attachment":[{"href":"https:\/\/chrisspeed.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3040"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chrisspeed.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3040"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chrisspeed.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}