The Labour of the Rejected / “Walk the Plank”

Still playing catchup with so many events. A few weeks ago during hashtag#DIS2025, Mafalda Gamboa and I organised an “unofficial, unsanctioned” side event to the main ACM conference in Funchal. Ten researchers signed up to present their rejected work to a willing audience. Pirate DIS 2025 – papers, pictorials, and works in progress that were part of the 75% (I’m guessing) that didn’t get through the SIGCHI peer process: https://lnkd.in/gZ-Wnkwu

Aggregation of the Normal
Looking across the abstracts and the talks, some patterns do emerge: work that troubles boundaries. Diagrams as “material-discursive practices.” AI voices transcending biological constraints. Children as “money detectives” investigating digital currencies. Plants integrated into translation processes. Queering algorithmic subjectivity beyond gender. Each work represents months of intellectual labour – conceptual development, methodological innovation, empirical work. Did peer review filter them out for being too speculative, interdisciplinary, or distant from established agendas? We’ll never know.

Who “walked the plank”:
Catherine Wieczorek Joseph Lindley Chris Elsden Eva Szekely Willem van der Maden Grace L Turtle / Elisa Giaccardi Mariana Simões Iulia Mihalache Rory C. Boyeun Lee


Looking for patterns
Catherine Wieczorek’s work identified “temporal entanglements” in socio-technical systems. Willem van der Maden’s rejected essay on “semantic stop signs” about how discourse stalls, itself stalled by discourse mechanisms. The irony reveals something deeper: peer review, designed for quality, may systematically exclude the radical thinking design research claims to value.
Grace Turtle’s “queering the algorithmic self” and Mariana Simões’ “caring archive of landscape colors” represent posthumanist thinking that could reshape human-technology relations. Yet they exist in academic limbo – too experimental for traditional venues, not applied enough for HCI. Perhaps most telling: Boyeun Lee’s work on “Human-centered Data-Driven Design” was rejected despite addressing one of HCI’s core challenges – how to maintain human agency within data-driven systems. Even work that directly engages mainstream concerns gets filtered out if it approaches them from unfamiliar angles – business literature.


The Wealth of the Rejected
When peer review aggregates toward the normal, it filters out boundary-crossing, assumption-questioning work that could push fields forward. We get incremental advances while the radical sits in rejection folders.

What kinds of knowledge never reach us because they can’t fit through the narrow channels of academic validation?

But aside the serious questions, Malfada and I had a lot of fun with a lot of terrific people who put themselves on the line – thank you all.

Design research continue to “walk the plank”

Comments are closed.

Related posts

What Gets Counted When Institutions Choose Speed
What Gets Counted When Institutions Choose Speed

Two Sessions at FACT 2026 Reflections on qualitative knowledge, AI efficiency pressures, and what ge


Two Rooms, Two Temporalities
Two Rooms, Two Temporalities

Two events at RMIT over the past couple of weeks revisited the temporal challenges at the heart of h


Temporal Traps
Temporal Traps

Ending the year between collapse and care: three December gatherings on time, action, and giving bac


Notes toward the 6th finger
Notes toward the 6th finger

I’ve spent 20 years watching designers optimise products that score well environmentally while


Rep / Non-Rep & Foreclosure
Rep / Non-Rep & Foreclosure

Catching up with things, and the first of two posts this week, reflecting on events last week. Stayi


“This communication is not for you.”
“This communication is not for you.”

Looking to connect 2 recent events / conversations (as is my want) this time to explore a fundamenta


Design Frequencies: Sharing International Practice in Design Research
Design Frequencies: Sharing International Practice in Design Research

Already deep into semester two here. Last semester School of Design RMIT College of Design and Socia


Design Contradictions
Design Contradictions

Two projects during Melbourne Design Week with collaborators Michael Dunbar and Liam Fennessy to exp


Paradox of Collaborative Speed
Paradox of Collaborative Speed

Two events in Melbourne over the past 10 days week revealed a tension across contemporary technology